We make documentary film, field-recorded sound, and the kind of printed page people keep on the shelf. Long-form, slow-cut, hand-finished. Broadcast quality. Late-night posture.
The one that survived the kitchen-table reading, the long walk, the producer's margin marks in red biro, and the editor who finally said: cut three minutes, keep the silence. Every project moves through four quiet stations — a long listen, a slow structure, a deliberate cut, and a hand-off that reads like a book you don't want to finish on the train.