Concrete & Static
A nine-month chronicle of brutalist housing estates in post-war Osaka — and the families that stayed.
a studio for documentary film, sound and the printed page — made slowly, on purpose.
we make work that takes its time.
a studio for documentary film,
sound, and the printed page —
we believe in long deadlines,
good lighting, slow editing,
and that a story should be
told only when it's earned.
slow is a stance, not a speed. — a working principle
A nine-month chronicle of brutalist housing estates in post-war Osaka — and the families that stayed.
Twelve nocturnal conversations recorded across the Levantine coastline — a podcast series broadcast on tape and stream.
A coastal diary of disappearing fishing villages — two years on the road, 240 pages, one foldout map.
A four-part audio essay on silence as architecture — from monastery vestibules to a closed-down department store.
A short on Korean letterpress masters in an age of generative tools — shot in Seoul, finished in Lisbon.
A sound installation built from market recordings of the Gulf — exhibited inside a salt-clad pavilion.
An opening title sequence for a new modern-classics imprint — kinetic type set against archival paper grain.
A long-form investigation into the last rural cinemas of southern France — written, photographed, and laid out by the studio.
Long-form, short-form, and the increasingly rare middle. We script, direct, shoot, and edit in-house, on long schedules, with small crews.
Audio essays, narrative series, and broadcast-grade docs. Recorded on location whenever the room is worth it — and it usually is.
Long-reads, photo books, and the occasional zine. Written by us, designed by us, printed by people we trust on paper we can name.
For a small number of clients each year, we take on full brand systems — voice, mark, motion, and the long tail of templates and stationery.
Rooms, screenings, and listening sessions. Where a piece can't sit on a screen, we build a place for it to live for a season.
Long preliminary conversations — coffee, a notebook, no laptop. We don't sign anything for a month.
≈ 3–5 weeksReferences, sources, a real schedule, a real budget. We tell you what we won't do as clearly as what we will.
≈ 2 weeksMost of the calendar lives here. Travel, interviews, transcripts, contact sheets, first cuts. We share weekly.
≈ 4–6 monthsWe give the work room to breathe between drafts. A piece is finished when it stops fighting back.
≈ 6–10 weeksPrint run, festival circuit, broadcast slot, or a quiet upload — whatever the piece is actually asking for.
≈ 2–4 weekswe take on four projects a year. spring 2026 has one slot left.
hello @ mamedia .studio act.vi · fin.— or, if it's easier —